After a childhood filled with music as a choral scholar at Peterborough Cathedral, and studies in ceramics and education at college, David Clifton signed first to Red Bus/EMI music, then to PVK records with soul/folk singer Harvey Morgan in Indian Summer. An invitation to join indie rock band The Sensible Jerseys resulted in a move to London. The band were championed by broadcasting legend John Peel, and they signed with Virgin records. David went on to play for WEA singer songwriter Tanita Tikaram, recording and touring Europe and the USA with her. This was followed by European tours, radio, TV and promotion work playing guitar for the Irish jazz/blues artist Mary Coughlan.
In the early 1990’s he worked with EMI Artist Steve Booker, recording a BASF award winning CD with him and touring extensively throughout Europe, opening for acts such as Bob Geldof, Suzanne Vega, Clannad, Steve Earle and the Dukes amongst others.
While working on this project, David was introduced to Steve’s producer, Andy Piercy, former lead singer of After The Fire. They began writing contemporary sacred music together and working in the music team at their local church, Holy Trinity Brompton. When not busy with music and production projects, they began meeting at Andy’s flat in Notting Hill Gate, to write, record and produce new songs. This resulted in two ground-breaking albums of their time; ‘Praise God from whom all blessings flow’ and ‘Psalms, Hymns and Spiritual Songs’, incorporating traditional Liturgy and Sacred texts into a modern musical context.
During the early 90’s and through 2000 he recorded and toured with Virgin Records artist Julia Fordham, playing Japan, the Far East, Europe and the USA, touring with Sarah McLachlan on the Lilleth Fair events, and playing USA dates on Sheryl Crow’s world tour.
The rustic surroundings of a 16th century barn studio in Surrey were the location for writing and recording with Grammy award winning producer Kipper for Esther Alexander’s ‘Long Way Home’ album. Late 2011 saw the completion of his first Hollywood film soundtrack, and this has lead to more advertising and short film work. Songwriting trips to Nashville have given birth to new material co-written with Phil Keaggy and Phil Madeira. More recently he has been taking time out to write and record his own projects, and enjoying collaborative work with other international artists. You can hear the fruit of this work over the years in the Katie Targett Adams production ‘Hush’, the electronica albums ‘Pulse’ and ‘Flight’ with Mr. Don and the ‘Live Vol.1’ concert with George Middlebrooks. In downtime he’s been learning Appalachian claw-hammer banjo with East Tennessee’s very own banjo genius Matt Morelock.
Recording sessions over the years have included work for a variety artists, including Julia Fordham, Madness, Micky Hart, Tanita Tikaram, Pele, Paul Heaton (Beautiful South), Helen Watson, Martin Smith and Delirious (Cutting Edge 1), Matt Redman, Chris de Burgh, Robin Mark, Graham Kendrick and Kim Hill amongst many others.
Several new recording projects are currently underway. The tracking sessions for the folk songs project were recorded by Scott Minor at his vintage studio in Knoxville Tennessee utilising a restored vintage tape MCI tape machine and original vintage outboard effects equipment, a Neve desk, and CLASP recording technology. Meanwhile work continues with Ben McAmis on the overdubs and harmony sessions. The second was recorded live at 5th Avenue in Knoxville with Will Reagan engineering the live sessions, and will showcase modern Liturgical sacred music. Overdubs and edits are taking place during 2018 prior to an announcement of release dates. In addition, a string quintet and piano project, ‘Fruit Of The Spirit’ is being mixed in both the USA and the UK and nearing completion, and a new ambient guitar recording to add to the mix. Never a dull moment. Stay tuned!